ABOUT
THE
FILM
In Following Harry filmmaker Susanne Rostock joins Harry Belafonte during the last twelve years of his life, as he embarks on a deeply personal and reflective journey, while mentoring an emerging group of artists and activists committed to following in his footsteps and disrupting injustice to implement impactful change.
The film is punctuated by a collection of provocative ruminations from Mr. B (as he is affectionately known by many), triggered by his observation that as a nation Americans are still struggling to embrace our diversity, which leaves us facing the stark reality that these are difficult times to recognize our common humanity.
We are taken to the frontlines of events, witnessing never-before-seen private meetings of Harry with young artists and activists. The narrative weaves together lessons of those who helped shape Belafonte including Paul Robeson, Dr. Martin Luther King, Jr., and Nelson Mandela, illuminating how Harry integrates these towering figures’ shared sense of morality into actionable lessons for today. The film provides a window into both his public endeavors and private moments, capturing his journey from the aftermath of the death of Trayvon Martin, to his engagements in the protests in Ferguson, the Women’s March (which was created in his office), to the deep and profound conversations in his home about our present and future.
Among those drawing on Harry’s guidance and taking action are Aloe Blacc, Aja Monet, Jesse Williams, Phillip Agnew, Jamie Foxx, Carmen Perez, Matt Post, Chuck D, Talib Kweli, Rosario Dawson, and others who summon their own strengths to meet complex social issues with compassion, and a fierce determination to stand for justice. They all draw inspiration from Harry’s experience and wisdom that their generation, with more talent, opportunity, and resources than any before them, must understand that they are "the gatekeepers of truth".
The film is a passionate, powerful witness to Harry’s commitment to building a better and more empathetic world. It is also a story of aging, legacy, and taking responsibility for what one leaves behind. Harry goes beyond stating that the past is doomed to be repeated by those who do not understand it, to ask: If we cannot position ourselves to see and translate history through our own present-day experience, then how can we envision the future that we are rushing so quickly to embrace? The film ultimately amplifies Harry’s belief that “each generation must be responsible for itself. All I can do is leave behind the crumbs of my experience. I have a trail that you can follow, if you find value in it, pick it up and if you don’t, bring something better.”
I try to envision playing out the rest of my life almost exclusively devoted to reflection but there is too much of the work to be done. Somewhere in this moment my soul, all that I have felt, all that I have experienced demanded me to ask, what do you do now.
“
”
- HARRY BELAFONTE
DIRECTOR’S STATEMENT
“I try to envision playing out the rest of my life almost exclusively devoted to reflection but there is too much of the work to be done. Somewhere in this moment my soul, all that I have felt, all that I have experienced demanded me to ask, what do you do now.”
- Harry Belafonte
These words, this plaintive plea, are spoken by Harry at the end of Sing Your Song, the film I made about his life as an artist and activist. The film’s storyline began in 1927 and ended in 2010 - at which point the next chapter, Following Harry begins.
In 2011, Harry invited me to share space within his brand-new office located on the top floor of the Martin Luther King Building in Manhattan. In 2012, with the murder of Trayvon Martin, I was given the intimate vantage point of a first-hand witness to Harry’s quest to engage the most influential and expansive minds of the youth, artists, and activists alike. The questions Harry raised, the answers he unearthed and the radical challenges he put forth as to where we are as a nation, as a world, inspired and motivated the next generation of leaders, creators and activists. I felt this could become a blueprint for the future. At this point in Harry’s life, I recognized the film would also be a story of aging, of legacy, of responsibility for what one leaves behind.
With Harry Belafonte’s uniquely postmodern twist on history, and his commitment to building a compassionate world, Following Harry suggests that if we cannot position ourselves to see history through our own present-day experience, then how can we envision the future that we are determined to change for the better?